Cue the celluloid therapist
Watching movies can elicit emotions often related to
psychological truths
ERIN ANDERSSEN
SOCIAL TRENDS REPORTER
12/27/2002
The Globe and Mail
Metro A1 "All material Copyright (c) Bell Globemedia Publishing Inc. and its licensors. All rights reserved."
If your family drives you nuts this Christmas, you might seek a little mental
medicine from Jimmy Stewart.
Popping It's a Wonderful Life into the VCR, psychologists say, can do more
than bring a few hours of peace to the close quarters of the holiday scene:
Together with some careful reflection from the chesterfield, they suggest,
the travails of Mr. Stewart can actually work as celluloid therapist, getting
at those old family tensions. At the very least, you'll feel temporarily warm
and fuzzy about humanity.
Such is the therapeutic value of even a Hollywood story, says Stuart
Fischoff, a professor of psychology at Cal State in Los Angeles. "What
makes [movies] such a powerful tool is that it's a non-intellectual
experience," he said. "That lump is in your throat and you can't walk away
from it. You're crying and you don't know where it came from."
Movies, it seems, are not just for watching any more. In a culture where
people rent videos before they'll crack a book, the characters of the big
screen are popping up in medical schools and as prescriptions from the
therapist's couch, cast as moving pictures with the power to heal or teach.
So Nicolas Cage does his best portrait of angst, playing a paramedic in
Bringing out the Dead,and the psychiatry students at the University of
British Columbia get a take on posttraumatic stress. In group therapy in
Oakland, Calif., the female patient of therapist Birgit Wolz watches
Gwyneth Paltrow rush though two lives in Sliding Doors and accepts you
can be strong even when you feel weak.
A male patient of Dr. Fischoff, who was attracted only to women with
schizophrenia, learns from Benny and Joon that he has idealized a
romantic fantasy.
"The movie opens a door that you have to walk through," said Dr. Fischoff,
pointing out that films are still only one part of therapy. "It isn't dangerous if
you talk about it."
There's not much research on the benefits of movies in therapy or
education -- whether the emotional discoveries are lasting, for instance --
but people such as Dr. Wolz and Dr. Fischoff say that they often serve as
short cuts to open up real discussion in therapy.
Dr. Fischoff recalls a woman he once treated who dreamed repeatedly of
flying, and believed it was a sign she was trying to flee her current
relationship. Dr. Fischoff sent her home to watch Birdie,a movie about a
young man trying to escape a bad family situation by imagining he could
fly. "It was like throwing cold water on her face," he said. She returned
ready to talk about her abusive childhood. "The message comes through
much more quickly than if you have to trudge through talking about it."
The use of movies is the modern evolution of bibliotherapy, a longstanding
practice of using art and literature to get at the root of
troublesome things. But movies aren't a cure-all for mental ills, despite the
proliferation of books on the subject, and even a show on the cable
channel Women's Entertainment called Cinematherapy. (Its tag line:
"Movies are more than just entertainment. Movies are self-medication.")
Dr. Fischoff points out that movies don't work in all situations and that
therapists need to suggest them with care. But he says most people don't
realize how their emotional reactions to movies are often tied to truths in
their psyche. He conducts a regular survey, analyzing why people pick
certain movies as their favourites; almost always, he has found, it is
something deeper, even subconscious, that resonates with the person,
rather than specific plot or character.
Movies work for the healers as well as the ones who need healing. More
and more medical schools show movies to help educate future doctors and
psychiatrists -- to show a more human side to medicine, start a debate on
different treatment techniques, even as a tool to help students recognize
certain ailments. The New York University medical school maintains a
database of movies for this purpose.
Harry Karlinsky, director of continuing education at the University of British
Columbia's department of psychiatry, would like to see this practice
become more common. He already uses movie clips in his classes, and he
recently organized the monthly Mental Health Film Series, in Vancouver,
which is attended by medical students and professionals and members of
the public. For one movie, they watched Completely Cuckoo,a
documentary about the making of One Flew Over the Cuckoo's Nest,which
was filmed inside an Oregon psychiatric institute. Dean Brook, who played
his real-life role as the facility's psychiatrist, was one of the guest speakers.
More study needs to be done on the long-term benefits of using movies to
heal or teach, Dr. Karlinsky suggested. "But people are taking it more
seriously," he said. "Films have replaced books. They're the more
comfortable frame of reference."